Posted tagged ‘mass effect: andromeda’

Let’s React to the Mass Effect: Andromeda News (Or Anti-News)

August 23, 2017

After months of speculation, it was made official a few days ago: There are no planned future patches for single-player or in-game story content for Mass Effect: Andromeda.

While they say patches and not paid DLC, I think it’s pretty clear they mean single player content period. They elaborate: “we will continue to tell stories in the Andromeda Galaxy through our upcoming comics and novels, including the fate of the quarian ark.”

Kotaku’s Jason Schreier called it in May and again in June and is now probably enjoying the biggest I-told-you-so of his career. Anyway, his posts caused the fandom to erupt in a “Is it true? Is he right?” explosion that took Bioware what feels like forever to confirm or deny. I feel like at this point, they’re just accepting all publicity as good publicity.

Speculating on the Why

I browse the Mass Effect subreddit pretty often. The audience seems younger and less thoughtful than the Dragon Age subreddit, but there’s sporadic decent discussion and frequent fantastic fanart.

Regarding Andromeda DLC, there are plenty of (relatively) long posts about how the game under-performed, how it was mocked by early reviews and how troubled the development process was (a topic also explored in depth by Schreier – I don’t normally endorse “professional” blog-like sites because I rarely like them, but if everything Schreier wrote is true, then that was some excellent reporting. And if it’s all made up, well, it was still one of the most interesting things I’ve read all year.)

All factors which most likely influenced the decision to abandon single player (for the foreseeable future).

What isn’t mentioned nearly enough though, is the less dramatic but probably main issue: in comparison to single player, multiplayer is really freaking lucrative.

Content DLC calls for a giant boatload of people: writers, voice actors, cinematics, animators, programmers, sound crew, testers, etc. A huge machine to put or keep in motion. All that to produce a few hours of story and gameplay that will sell for 10-15$ per player.

In multiplayer, players will throw 10-15$ at the game, over and over, for weapons and cosmetic items that already exist. They do have to keep the game fresh, but – and I admit to knowing very little about game development – it seems to me that APEX mission development requires a fraction of the team needed for single player DLC. Plus, it seems that the multiplayer team is sailing along smoothly, while the key single player developers, those who hung on until the end, are probably still trying to unlive the past few years.

Speculating on the future of Mass Effect

Will there be another Mass Effect game?

Everyone seems to think so. (Even Schreier posted Reddit that he guesses something would happen in 5-6 years)

I assume the game direction options are: 1) a prequel to the original games, 2) a sequel to the original games, 3) Andromeda 2, 4) a non-RPG game in the Mass Effect universe (think Blizzard’s Hearthstone).

Option 4 is the safest option from a business perspective – just like the current multiplayer, a card, an arena style or a MOBA would bring in the dough with minimal effort and risk. As an RPG player, I think this idea sucks massive donkey balls.

Option 1, a prequel, has been considered, I believe. Something about a focus group that revealed that fans adamantly want a sequel and not a prequel. I’ve seen fans say they’d like to play in a prequel world as another species, but believe it would never happen because apparently the larger player base only wants to play humans. Me, I think playing a non-human is trivial compared to a prequel’s bigger problem: one of the major joys in Mass Effect is discovering an unknown world and not knowing what will happen to it. A Mass Effect in known surroundings leading to a known outcome doesn’t sound very fun. In my humble opinion, of course.

A sequel, Option 2, would force some sort of backtracking on the endings. The meaning was a clear “fuck it, we’re done and we’re going to mess up the universe so they can’t force us back”. They all guarantee to leave the galaxy in one of several unplayable states. (So this recent tweet from former project director Casey Hudson made me chuckle.) While I would love to play some kind of investigator/explorer part of a galaxy rebuilding team, Synthesis Galaxy is awful and Refusal Galaxy would just be the same story with a different face. Destroy and Control could be worked with as a what-if, I guess. Cameos of beloved characters would also be a pain since pretty much everyone has the potential of being dead.

Then, Option 3, ME:A2. Popular opinion seems to be that the Andromeda setting is toxic. I disagree. The Andromeda setting is awesome. Going to a different galaxy totally blew my mind. At least for the first hour or so. It had, and still has, tons of potential. The weaknesses in the writing: the pathfinder’s progression, the shallow squadmates and new species, the sub-optimal placing of plot twists and the general lack of inspiration are all more due to the chaotic development forcing the game being published before it was finished. The bones of the story were interesting, they were just given to us without enough meat to sate our hunger. ME:A2, with a proper development team, using the first Andromeda’s loose ends could potentially be a exceptional gaming experience.

As for a time frame, I actually find 5-6 years to be short. Look at Dragon Age: Inquisition, a game that did well. It was released in late November 2014 and closed with its last DLC less than a year later. It’s been almost 3 years and almost 2 years since Trespasser, and while the team has made it clear that they’re actively working on DA4, there’s no formal announcement and probably won’t be until Anthem is released in (tentatively) Fall 2018. Which would set a Dragon Age release in 2019 or 2020, 5-6 years after DA:I. So for a franchise that has taken as many blows as Mass Effect, I don’t think 5-6 years is a long time.

What About These Comics and Books?

I wonder how they could wrap up the Quarian Ark story in a satisfying way via books or comics. While I doubt most of us are really attached to the bulk of our choices in ME:A, designating “cannon” pathfinders would ruin what little sense of ownership we felt over the universe. The other option, dodging the problem by not involving any pathfinders in the Ark retrieval, would be very, very difficult to pull off (yay APEX rescues the Ark! ….ugggg).

As for already published Mass Effect literature, I haven’t felt inclined to read any of original trilogy media, however I’m told the Drew Karpyshyn books are outstanding. I have read Nexus: Uprising (from Andromeda) and enjoyed it. (The selling point was that one of the authors, Jason M. Hough, hung out in the Mass Effect subreddit and made some very relevant posts. He seemed like a cool guy so I decided to read his book. I don’t regret it.) Supposedly the next book features Cora’s past. I’ll wait until it gets reviewed before deciding whether or not to get it. Same for any other Andromeda books. I am pretty unlikely to read comics though, just not my thing.

Looks like a grim future for us Mass Effect fans (and for us RPG fans in general, if the market keeps it’s current direction), but what can you do?

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Can’t Escape from Mass Effect

May 23, 2017

I spent two weeks trying to write about playing Wow again. Got about 6 lines in and a screenshot.

Also spent that time trying to play the Witcher 2, in hopes of getting to the Witcher 3. I think I made to the end of the prologue.

My heart just wasn’t there.

My heart, as we know, was shattered after playing the original Mass Effect trilogy and never recovered. /overlydramatic. I’ve played Mass Effect 1 a bit since then but haven’t been able to go any further because I can’t handle the feels. Since playing Andromeda, though, (and missing most of the references because it’s just been too long) an itch has been slowly growing to revisit Shepard.

I…I think I’m ready.

I changed the resolution a few hours after creating my character so now she looks all weird and stretched out. Hence, why you only get a side shot. Wish Mass Effect had a Mirror of Transformation like Dragon Age.

I miss Shepard. My Shepard. So I made her with roughly the same look and roughly the same personality. Doing identical (or somewhat identical) playthroughs was actually such a foreign concept that it didn’t even occur to me until I came across a Mass Effect subreddit where someone mentioned doing several playthroughs with the same Shepard and choices. How someone could submit themselves to that emotional roller coast so many times in such a short period, I can’t fathom, but since it’s been a few years and I only vaguely remember my old game, I thought the idea to be brilliant.

I’m still undecided about what to do at the end. It is much better with the extended cut (it’s been years and I still can’t get over how anyone thought the original ending, with no acknowledgement of your personal efforts, no explanation, no epilogue, was a good idea), but it still doesn’t sit right with me. I’m told there is a mod that sets Citadel to be played as an epilogue (which is pretty much how I head cannoned my original game since Citadel came out long after I’d finished), but I think I might just play up until Shore Leave and leave it at that. *****SPOILERS***** I previously went with Synthesis since I didn’t want to destroy the Geth with whom a lot of work went into forging an alliance, and being a space god for the rest of eternity is just UGGG. Plus EDI and Joker get to be together! (Priorities!) But Synthesis doesn’t make any sense – like how does it work? How does Space Magic turn people into part computers and computers into part people with just a beam of light? (The other options don’t really make any sense either, but they’re a bit more plausible, as Destroy could cause some short of galactic malfunction and Control would be Shepard accessing the main panel.) I also hate changing the galaxy to that extent. And why must Shepard be disintegrated in a well? Kill her if you must, but…not like that. ****SPOILERS OVER **** I never decided how I wanted to head cannon retire my Shepard. I mean, her career is clearly over. You can’t go back to normal hunting bad guys and rescue missions after what she’s been through. Settling down with Garrus doesn’t suit her either, she’s an adventurer and spacer through and through. Being put in a pod and shipped to Andromeda for a total change of scenery might fit her personality, but would she want to leave the Milky Way behind after everything she did to save it? I guess it doesn’t matter. I’m only with her for this ride, what happens after, whether she accepts her Bioware fate or lives on to do whatever, is in her own hands, not mine.

So yeah, Mass Effect 1 vs Andromeda

I was interested in how the two compared side by side since they are both Part-Ones-That-May-Be-Stand-Alones.

ME1 definitely feels better fleshed out in all the story elements, the species and their cultures are given way more depth (despite introducing a lot of species – it’s amazing what they did, actually), the characters feel like real people (while in MEA, with the exception of Peebee and Drack, they kind of just felt like their tagline) and you can tell you’re just touching the tip of the lore iceberg. The dialogue options, however, are extremely unpredictable. I know we complain about that in every Bioware game, but ME1 is especially bad. A lot of options are along the lines of 1)Yes 2)Sure 3)Of course. You figure out quickly that the top option is usually gentle, the middle one is neutral/professional and the bottom one is more aggressive, but still. I’m hardly a newcomer and I’m still shocked by some of the things to come out of my character’s mouth. The voice acting, as well, triggers flashbacks of voice actor con panels where the actors always complain about they’re often not given context for their lines and have to guess. It’s not obvious in new games, but in ME1, you frequently get odd lines where the tone is all wrong.

On the other hand, while I’m driving around, I really miss the Nomad banter from MEA. That’s something the newer game did brilliantly.

While critics denounce MEA’s open world, I’m finding ME1 to be way more grindy and drive around random-y. The Nomad is much easier to handle than the Mako (and I’m super glad they made the Nomad in MEA, I love the Mako but always thought it needed some maneuverability improvement. I did miss the Mako’s canon.) and while ME1’s discoveries are fun and exciting (in MEA, you rarely discover anything cooler than respawning enemy camps – and in space, this drove me crazy, even the most “remote and mysterious” solar systems end up being polluted by remains of the Angara, the Kett, the Outlaws and a Nexus science shuttle), it takes a lot of boring driving to get there. I also found that MEA’s sidequests were more connected to the main plot than in ME1 (which, I suppose, is more natural for a “settle these planets” plot). I feel like in ME1, Admiral Hackett takes way too much advantage of the fact that you happen to be near somewhere (“I know you need to find Saren and stop him from bringing on our inevitable destruction, but while you’re in the area…can you rescue this guy?”).

Combat is more fun (love jet packs and combos!) and intuitive in MEA, though I do like having a ton of abilities at my fingertips in ME1. I prefer the talent system in ME1 with new abilities being unlocked at certain points, though I did like MEA’s as well. I love how in ME1 you can access your weapon loadout screen at any time. After how tedious MEA was about gear switching, every time I update my gear in ME1, I get a feeling of “YESSSSS!!! OH YES!!!”. I do, however, find it super annoying that a squadmate has to be in your party in order for you to access their talents. Especially early in the game, while I’m on the Normandy, trying to upgrade weapons. How am I supposed to know what to give if I can’t check what their weapons skills are?

I’m on the fence about what I prefer between equipping my squadmates myself and letting them take care of their own gear. I’m an RPGer at heart and loooove dedicating entire evenings to pimping everyone’s gear, but I didn’t miss it at all in MEA, maybe because they give you lots of other opportunities to micromanage stuff.

If you don’t have your Classic Bioware Games on Origin, you can download the DLC here.

 

All the DLC for ME1, 2, Dragon Age Origins and 2 (and a random Need For Speed Game) can be downloaded off the EA site, even if you purchased them on Steam. I originally thought that they’re free now due to the age of the games, but it seems that Mass Effect 2 DLC (and possibly the others) won’t work unless you bought them. Mass Effect 1 DLC is free however so grab Bring Down the Sky and Pinnacle Station if you don’t have them already.

Played the latest Mass Effect (Keeping Spoilers to a minimum)

April 24, 2017

Took me a few tries to remember my password.

Once upon a time, I was a student who needed to write a lot of papers. My finished products weren’t bad, but what seemed to take everyone else 3-4 hours always took me at least 10. Sometimes 20. So I started a blog about World of Warcraft, wrote in it twice a week and after awhile words came out of me faster. As an added bonus, I made friends, found myself at conventions all over North America and really got a deeper, more intense experience out of my games. Then I quit it all to live out of a backpack for two years. I tried to keep up the writing but I was always too tired, too busy, too impatient. It didn’t take long for the words to dry up. Now I’m a grown up who has to write letters, memos and reports. While my letters, memos and reports are never short of excellent (IMHO), what takes my colleagues 5 minutes to write during shifts takes me over an hour, off the clock. Plus, I miss my favorite people but am scared that if I email anyone, the only response I’ll get is “I’m sorry, I don’t think I know you. You must have the wrong email.” If my emails don’t go right to spam. It has been that long.

In hopes of finding some good ol’ days glory, I promised myself that I would make a post once I finished Mass Effect: Andromeda.

…Ok, I promised myself I would make a post once I was done with Skyrim. Then after the first time I finished Dragon Age: Inquisition. What can I say? I’m just a big disappointment to myself.

Speaking of disappointments…

Actually, no, I wasn’t really disappointed by the latest Mass Effect. I had a lot of fun playing the game. Yes, the flaws are glaring. (And would you even call them flaws? I feel that sloppynesses is more descriptive.) But since I was so attached to Shepard, I half expected to spend the entire game thinking #notmymasseffect. Which I didn’t do. I easily lost myself in the game and clocked in at 153 hours (estimate 120 if you cut out idling).

I had just finished another Dragon Age: Inquisition run when MEA came out (not that I expect anyone to read this, but just in case someone who doesn’t follow the gaming industry ends up here by accident – Dragon Age and Mass Effect are made by the same company but different teams- and this time around in different studios- and share a lot of features), so it was interesting to me that it seems MEA shines in the places DAI was lacking and the things DAI did well crashed and burned in MEA.

Let’s talk about Ryder

I feel like talking about the story first would be more logical, but Shepard was so important to me that it only makes sense to start with Ryder.

You can’t see it here but, by total accident, I made her scarf match her eyes.

The history between Shepard and I is that I stumbled across Mass Effect at a time where I needed a storybook hero in my life. I’m not a “power through this” kind of person. “I’ll have meltdown now and feel better later” is more like me. The latter serves me well, but every now and then mastering the former is what gets the job done. Shepard was my shining example of powering through everything.

Unlike Shepard, a 30ish year old born leader with an established and successful military career who is applying her exemplary skills, Ryder is 20ish (22 I think) and discovering herself as she takes on the unexpected job of frontlining exploration in a new galaxy. She’s awkward at first and grows in skill and confidence throughout the game. I love it. To younger players, I feel like she would be very relateable, and if at the frontline of further Mass Effect games, could really endear herself to that audience. For me, on the other hand, Ryder made me feel old. So she was more like a little sister that I cheered on and was proud of. She was so deliciously distinct from Shepard that I was able to let go and allow her to grow on me.

In the comparison with DAI, MEA stands out. Both Ryder and the Inquisitor are inexperienced people ending up at the forefront of a massive, high stakes organization through unfortunate circumstance. But the Inquisitor’s journey is too smooth to be engaging. Two of the biggest badasses in Thedas (Cassandra and Liliana) are bearing their fears and dreams to her within hours of meeting. She takes on each mission with a smile and emerges non worse for wear. The events in Haven are the closest she gets to a setback, everything else just works outs. Ryder also does abnormally well for herself (after all, the game is long enough, adding setbacks would stretch it out ridiculously) but she is forced to prove herself. She also occasionally and appropriately loses her shit and at times needs to count on her squadmates. The writers could have gone further with Ryder, but that’s just me being greedy.

Like the Inquisitor, Ryder does suffer from somewhat of a narrow personality range. Emotional/Logical and Casual/Professional replies structure seems good in theory, but in practice (possibly due to the weak dialogue writing) they really didn’t feel all that different from each other. Back in the Paragon/Renegade days, I would play Paragon with some “I’ve had enough of your shit” Renegade moments (I’m so bad at being an asshole that when I did my Renegade ME1 playthrough, I had to use a guide.). I don’t mind trying something different, but I liked that Shepard chose to be compassionate (or not). With Ryder (and the Inquisitor), it felt like she responds the same way and does the same thing no matter what, she just words it a little differently.

Ok, now for the story

Yeah, so DAI. The story starts off great and promising, you’re excited to grow your Inquisition, your camp gets attacked, you do badass heroic stuff- then the story comes to a screeching halt and you collect flowers for 100 hours until you decide to take out the bad guy. There are some story bits thrown in and I loved the story bits, but they’re so rare that you tend to forget about them as you do other stuff.

I was therefore pleasantly surprised that MEA starts off strong, continues strong and ends strong. In my 120 hours of playtime, I had a few nights before the final battle where the story stagnated as I drove around to do all the “collect shit that might appear in some places if you’re lucky and the quest isn’t bugged”. The rest of the time I felt engaged and enjoyed how even the most insignificant sidequests felt somehow connected to the story, a very different experience from DAI.

There is a lot of repetitiveness in planet exploration – most planets follow the same pattern, but, to my surprise, I didn’t mind. By the end of the game, everything felt like “drive around the mountains”, but discovering each for the first time was exciting to me. Every political situation, every Remnant vault, every environment was just different enough to feel fresh. I might not feel the same way in future playthroughs, but for now, I’m satisfied.

I’ll note, though, that while the story is highly entertaining and well-paced, it seriously lacks creativity. I mean, it’s fine: entertainment is the most you can ask for from a video game. It just surprised me since Bioware is supposed to be the storytelling leader in the industry, you would think they had hordes of brilliant writers fighting tooth and nail for an opportunity to pitch their awesome ideas. Instead, most of the twists are predictable and kinda cliché (and worsened by the clumsy foreshadowing), as if there was one person responsible for the whole thing who was told to go home, watch some Star Trek and come back the next day with a full story. There are some interesting chunks of story near the end, you know, once it’s too late in the game to actually develop and explore them. It’s not bad by any means, it’s just, well, after the original trilogy missed the mark for legendary status by 20 minutes of “WTF were they thinking”, as a loving fan, I hoped they would redeam themselves. And MEA is good but isn’t inspired enough to go down in history. With all the love in my heart, I hope MEA2 uses the established groundwork to give us something exceptional.

I guess this is where we can segment into the writing

To me, this was the most massive disappointment. Some of the dialogue and the random bits of writing you find in game were great, maybe even most of it. But there was enough unnatural, tedious, confusing or downright cringy material to distract me from all the good. So much made me wonder who on earth they hired to write this stuff, and what happened to their editors?

There’s a lot of telling instead of showing. One of your companions, one who hides her insecurities behind playfulness, wants to be slow to open to you. But instead of in-character dodging of questions and teasing, she seriously tells you (I am paraphrasing but only slightly) “I am slow to open up, please leave me alone until you have earned my trust” Like, who says that? It would work with a bookish, formal character, but it DID NOT FIT her AT ALL. Oh, and in case you do miss what little your companions show you instead of spelling out to you, you can count on your ship’s doctor to explain it to you. I get that the target audience for Mass Effect is young and possibly socially inept, but comon, they can’t be that clueless.

Another telling-not-showing that really got on my nerves was, well, everything about the new galactic species you befriend. “Oh the Angara! They have electromagnetic bodies and are so open about their emotions!” Your Angaran squadmate reinforces this at every opportunity “I think you are a good friend. I say it because I am Angaran and we are open about our feelings, unlike you Milky Way folk who are embarrassed about your feelings.” There is also this late game gem: Angara: “I am excited about this thing we discovered” Ryder: “Oh, how I love how open and vulnerable you are with me! (You open-Angara-you)” Yet I didn’t notice a single occasion of an Angara being unusually emotional. If anything, they’re kinda flat and talk like zenny yoga instructors. I also never noticed any Angara using their electromagnetic abilities (outside, perhaps, of your companion in combat).

As for the other companions, I found that they started out strong “I am your new crewmate and this is what’s cool about me”…then didn’t really say anything new to you for the rest of the game. One even regresses and becomes insufferable. To make matters worse, when your companions (and some other NPCs) have something to add in their non-cutscene dialogue, there’s no notification. All their options stay greyed out. If you want to find out whether they have more to say, you have to replay all their dialogue in hopes that some of it might be different. So you miss new content (and sometimes even new quests) until you realize this, then you end up playing old stuff over and over again. It would have been easy to make new dialogue content white, like those dialogue options you haven’t selected yet.

When compared to DAI…well you can’t even compare to DAI. Despite pacing issues with the story, nothing is accidental about character dialogue. If a characters says something that seems off, you find out down the road they were hiding something. You discover character personalities little by little as you play the game, very little is told to you. In fact, with every playthrough, I feel that I get to know and understand the DAI characters better. I don’t expect the same to happen in subsequent MEA playthroughs.

The Gameplay, however, was really fun

I love currencies so I was served. Three types of research data, skill points, credits, APEX teams, gear levels, cryo pods, viability points, profile levels. So fun! I suspect my large number of played hours was due to sitting in my ship micromanaging all my stuff.

The combat is tough for me to comment on because as long as it’s not terrible, I’m happy. I’m no TPS expert, but, um, I enjoyed the combat. There’s a huge variety in weapons and defensive gear (a little overwhelming at first, to be honest) and you can experiment and modify your stuff to you heart’s content. Fighting is smooth and natural, your squadmates take care of themselves, everything works as expected (as far as I could tell) and early in the game, the difficulty scaling seems right. As an average gamer, I played on normal difficulty and the challenge felt…normal. I had to think about what I was doing, but was never frustrated. Later on in the game, the combat does become trivial, but I guess you’re just not expected to be level 70 on your first playthrough. You can also up the difficulty whenever you want.

The profile system, where you can customize and level up different profiles, felt quite brilliant to me as well. I didn’t realize you could switch profiles on the fly until late in the game (the one time the game shows you something instead of telling you and I missed it: in the tutorial mission, you see Daddy Ryder switching profiles. Maybe I am as clueless as the game treats me.)

I have to criticize the crafting a little. You can research blueprints and craft from the same station, but if you want to equip/unequip weapons, you have to run pretty far to a load out station. And heaven forbid you want to try a weapon. You have to equip it, land somewhere, drive around until you find enemies then fight. A target dummy in your ship’s loadout room would have been infinitely more convenient.

Overall, though, given how frustrated I was with DAI’s combat (mostly with the camera, I could never freaking see anything while fighting) and crafting system (I had to make detailed tables to keep track of everybody’s gear, then I’d use up all my resources to craft something cool, only to find an upgrade 30 minutes later), MEA was absolutely glorious to play.

The Details

Animations, lack of facial expression and, well, lack of faces period are probably the most common complaints I see about the game. I mostly play old games with terrible graphics and I’m face-blind anyway, I didn’t notice until it was pointed out to me. As for the facial expressions, I didn’t mind too much, however, I felt like it was a missed opportunity, especially when playing right after DAI, where I found myself really speculating what characters are secretly thinking based on their body language. I did feel like main character animation was improved in MEA, though. I hated, hated, hated seeing my graceful, beautiful Inquisitors move like gorillas. Sara, thankfully, did not move like a gorilla.

While I wasn’t overly bothered by the graphics and animations, I do question what they did with their resources. They had 5 years and a good budget. I don’t buy the “new team and Frostbite” excuse. The Dragon Age team didn’t have experience with Frostbite either and other than the gorilla Inquisitor, the animations were fantastic. Plus, Montreal has a huge animation scene (Quebec produces a lot of media, almost all of it coming out of Montreal), there are other big name gaming studios in the city and every credible CEGEP has some kind of game development and/or animation program. There’s no way they couldn’t find proper talent. Besides, even if the game is made by a different studio and team, couldn’t the new studio receive coaching and training from Dragon Age veteran animators?

What did bother me, though, where the bugs. More bugs than a beehive, it felt at times. I haven’t been able to get new gear or mods for the past 8 levels. The APEX menu freezes the game more often than not. I have two completed quests stuck in my quest-log (ok, minor detail, but it bothers me). My AI tells me I have new email all the time when I don’t. Sometimes my character and her subtitles have totally different lines.

If you look at the credits, there’s a long list of game testers. I could see them missing little, specific things, but some bugs are pretty major and some occur for most players. Seriously, what are those game testers doing with their time?

Let’s wrap it up

Almost 3000 words and I didn’t even write everything I had in my head. Feels just like old times!

To me, Mass Effect: Andromeda was fun. Definitely worth that money and time I put into the game. (I just kind of wonder what the development team did with their time and money.) I’m not sure whether I will want to play it again, but I do want to explore multiplayer (and coming from me that’s saying a lot!) and I’ll be first in line to buy DLC. I know MEA2 isn’t a sure thing, but I do hope for it because I want to see my Mass Effect buddies and colonies grow. I want to see what comes of the loose ends still hanging. And I still have hope for a legendary space story.